Admission $9 General admission $10 Admission for film festivals presented at the MFAH $2 discount MFAH members, students with ID, seniors (65+) Free Children 5 and younger Purchasing Tickets The MFAH Films box office accepts payment by credit card only. Tickets may be purchased in advance in three ways: online, via ticket links on mfah.org/calendar or mfah.org/film pages; in the MFAH lobbies during Museum hours; and at the box office prior to screenings. The box office opens an hour before showtime. In order to allow as many people as possible to be seated on time, staff may need to refrain from printing multiple advance tickets within the hour of a posted film screening. Join Film Buffs, the Museum’s patron group, and receive at least 10 free admissions to MFAH films, plus discounted admission thereafter. Location & Directions The MFAH has two theaters: Brown Auditorium Theater in the Law Building (1001 Bissonnet Street) and the Lynn Wyatt Theater in the Kinder Building (5500 Main Street). Learn more about parking and transportation options at the Museum. Subtitles All films originating in foreign languages are shown with English subtitles, unless otherwise noted. Ratings Many of the films are not rated and may be inappropriate for younger viewers. Closed-Captioning & Audio-Description Capabilities Brown Auditorium Theater is equipped for closed-captioning and audio-description services when the film presented has such features enabled. Please note that the MFAH screens rare and rediscovered prints of movie classics; new and historical works; restored silent films; thematic retrospectives; and innovative works by contemporary film, video, and new-media artists. Many of these titles are not distributed with closed-captioning and audio-description capabilities. Accessibility If you have any questions or requests concerning accessibility resources in the Museum’s auditoriums, email accessibility@mfah.org or call 713.639.7300.
https://www.mfah.org/calendar/daughters-of-the-dust/202502161700713-639-7300
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Julie Dash’s rapturous vision of Black womanhood and vanishing ways of life in the turn-of-the-century South was the first film directed by an African American woman to receive a wide release. Set in 1902, it follows a multigenerational family in the Gullah community on the Sea Islands off the coast of South Carolina—former West African slaves who carried on many of their ancestors’ Yoruba traditions—as they struggle to maintain their cultural heritage and folklore while contemplating a migration to the mainland, even further from their roots. Awash in gorgeously poetic, sun-dappled images that are at once dreamlike and precise, Daughters of the Dust forges a radical new visual language rooted in Black femininity and the rituals of Gullah culture.